The title is in fact Swahili for "fooling around." (see music video)Ġ8 Tripitaka - Junto. After a brief bit of fooling around, this recording was a result. I took a very brief sample from a Librivox (public domain) reading of " The Autobiography of Benjamin Franklin" and processed the hell out of it in a variety of ways and layered it all together.Ġ7 Uchezaji - One day I tried to run my Korg Kaossilator through my Korg Monotron, using the latter as a filter. *A_c#minor_bminor_E_chord_progression_on_guitar_with_echoį/people/UncleSigmund/sounds/30266/į/people/reinsamba/sounds/14909Ġ6 Half Beasts and Half Devils - Junto. The source material for this track was provided from these two samples: Then I took snippets of the birdsong and ran it through ixi's Noiser, and added some of the results of that into the mix. First I vocoded the chord progression against the birdsong, and slowed the resulting recording down. For this recording I used a recording of nightingales and a recording of a minor chord progression. Mixed into this is another track of the Schoenhut recorded as above, un-degraded and at normal speed, with delay effect added.Ġ5 2 in the Bush - Junto. Then I messed around with the playback speed and pitch of the file. The resulting wav file was further degraded by conversion to an 8kbps mp3, then back to a wav. Schoenhut toy piano, recorded via a circuit-bent vintage telephone handset used as a microphone, passing through a Fender Hello Kitty portable practice amp (set on overdrive), then into a Tascam DR-05. No effects were applied.Ġ4 Trunk Call From Byzantium - Junto. The parts were recorded right in the shed with my trusty Tascam DR-05 Linear PCM Recorder. For this project I used a very dull wood-saw, a rusted compass saw, a scrap of sheet-metal, and an empty plastic bottle. The site of the field recording in this track was a garden near Cape Cod on a warm day, standing by the entrance of a greenhouse, where a lot of flies were buzzing nearby.Ġ3 Shed Inhibitions - From a Junto assignment to make music from junk. A field recording with some processed sounds mixed in. The accompanying drones were made from a variety of sound sources and processes.Ġ2 Revenge of the Lawn - Junto. To represent the spaces I used a short hiss (aerosol spray can). A bassier, more resonant beat is the dash, and a punchier beat with a short decay is the dot. The word "drone" was translated to morse code, then made into beats. In a manner of speaking, this album is a sequel to Covert Ecology, which brings together some experiments I did 20 years ago, my oldest surviving recordings.Īs a departure from my usual approach to presenting my work, I'm going to explain as best I can what I've done in each track:Ġ1 Drone-a-gram - Junto. Revisiting the tracks I've done in this time, I selected a number of them that I feel are worth compiling into a proper album, a nice way to showcase the diverse ways I've been fooling around with music and noises. In addition to the work I did with Junto, there were numerous experiments I made while getting familiarized with the possibilities of newly acquired musical instruments or effects hardware. I can to some degree credit this to an ongoing creative challenge project called Disquiet Junto, which has gathered a large community of experimentalists over at Soundcloud (/groups/disquiet-junto/). "For the past year and a half, I've been recording many sound experiments that don't fit in with my usual stuff. McDill that fall outside of the style of his main recording projects. A compilation of recent sound experiments by C.P.
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